Continuing the lineage of Gully Boys’ harmonious hybrid of garage, pop rock, and punk, the EP carries the weight of eighteen unforgettable months through pure kinetic energy. The band made meals for residents facing housing insecurity in southern Minneapolis in 2020 and repeatedly uses their platform as a base for resource sharing against white supremacy.įavorite Son was produced by Zach Zurn at Carpet Booth Studios. It is important to mention, too, that Gully Boys’ mantras and music are tightly linked through community outreach. Gully Boys’ first for Get Better Records is fueled by grief but sustained on exultant self-reliance.
Inspired by this break in the action, Favorite Son is a display of resilience and brilliance that brings the extremes of unprecedented times into full view. The band’s Phony EP arrived in late 2019 on the edge of a screeching halt. After their debut EP landed online a year later, Gully Boys released their debut LP Not So Brave in 2018, earning Best New Band honors from their hometown City Pages and sharing the stage with everyone from The Hold Steady to Third Eye Blind. After encouraging a friend from middle school, Natalie Klemond (she/her), to join the trio on bass, Nadi picked up a pair of drumsticks and counted off a cover of Best Coast’s “Girlfriend.”įrom there, they had to master their instruments on the fly, growing as creatives while blossoming with their first material. While sorting vintage clothes in a Minneapolis-area Ragstock in 2016, Kathy Callahan (she/her) shared her dream of becoming a vocalist with Nadirah McGill (they/them). The Gully Boys origin story plays out like the perfect domino effect.